-What technical problem for the player is the
focus of Liszt?s ?tude?Un sospiro?(NAWM 136)? How is it addressed at the outset? How does the texture change over the course of the piece, to raise new problems for the performer??
-What elements of or references to past music does Brahms incorporate into the fourth movement of his Symphony no. 4 in E minor (NAWM 155)? How did Brahms learn about this past music? What composers influenced his musical style??
-Who gave Tchaikovsky?s Sixth Symphony the subtitle?Path?tique? Why is this subtitle appropriate? This subtitle was not used at the symphony?s premiere performance. Why do you think it was used for the second performance of the work??
-What did Dvo??k suggest composers native to the United States do to write ?truly national music?? How are his ideas reflected in his own?New World Symphony??
-What elements of Dvo??k?s?Slavonic Dances?(NAWM 161) are from Czech traditional music??
-How does Richard Strauss characterize Don Quixote and Sancho Panza in the themes of his?Don Quixote?(NAWM 158)? What musical devices does he use to depict their personalities??
-Why is?Boris Godunov?an example of Russian nationalism, whereas Bizet?s?Carmen, which uses musical elements associated with Spain, is an example of exoticism??
-In what ways is the plot of?Madama Butterfly?an example of exoticism as well as realism? What exotic musical elements did Puccini incorporate in the excerpt from act 1 in?NAWM 151?
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